Eli Portman: Artist
Follow me on Instagram: @eli.portman
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It's a pleasure for me to present "Selected Views of Boston"
A 21 page collection of my best remderings of Boston over the last decade. Click the image for more info! |
Fall Class Offerings:
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MFA:
Monday City Painting with Watercolors: https://www.mfa.org/event/studio-art-classes/city-painting-with-watercolors-1?event=103666 Thursday City Painting with Watercolors:https://www.mfa.org/event/studio-art-classes/city-painting-with-watercolors-2?event=103831 Watercolor and Pen and Ink: https://www.mfa.org/event/studio-art-classes/watercolor-with-pen-and-ink?event=103956 Arlington Community Education: (Online) Drawing: arlington.ce.eleyo.com/course/3989/fall-2023/drawing-foundations Eliot School: Watercolor Painting: https://eliotschool.org/classes/watercolor-painting-beginners-1m23 Drawing: https://eliotschool.org/classes/basic-drawing-1m23 |
Model Drawing Class (clothed) 2023- Thursday October 19th
$15.00
In this one time workshop we'll be practicing drawing a clothed figure. Class will be IN PERSON AT ARTIST'S STUDIO/Fenway Gallery. Address is 30 Ipswich Street, Fenway, Boston MA. Meter Parking is reasonably available nearby (Red Sox game depending) and just blocks away from the Hynes Convention Center Green Line Station. Class will be a one time session. Thursday October 19th 5:30pm-7:30pm 6 total slots are available in this class. This class is open to Teens age 14+ and Adults of all ages. Classes are appropriate for all skill levels. Registration Closes when the class fills. --------------------------------------------------------------------- Supplies will be provided.You're welcome to bring your own as well. |
Artist's Statement
I am fascinated with the concept of perception. Many experiences in my life have made me feel quite alone. In those moments, I feel unique in the way that I perceive things. And yet at the same time, I strongly believe that we as human beings share many experiences, many thoughts, feelings, and reactions.
With my work, I approach the dissonance between perceived unique individual solitude in a crowded environment, and the commonness and sameness of such feelings.
Using detailed line work and heavy colors, I illustrate moments of 'unique' isolation that we all share. The feeling of walking alone while viewing social excitement through nighttime windows, or working while others play to their contentment.
With controlled ink lines, I capture shadows and lights. Familiar angles, familiar feelings brought on by time of day or night, placement and presence in one’s environment. I manipulate the openness and tightness of visual spaces and interiors to reflect the claustrophobia of society's open space and the endless emptiness of being crowded and crushed.
With strong colors, I attract the viewer’s eyes to specific spaces within the composition, reminding them of their own perceptions of environment, and that I, like them, find myself in there too. By capturing these scenes, I present the commonality between them and me. Though they do not know me, we are united by the sameness of the humanity we all share.
The art exhibitions that affect me most strongly are the ones that remind me of myself. Of what I love, of what I find beautiful, and of what I fear. We are always looking for a certain degree of reflections of ourselves. In images, in friends, in pets, in communities, in romantic partners. With my artwork, I attempt to bridge the gaps of solitude by harnessing that innate search for our reflections. With familiar scenes, bright colors, and fine details of everyday objects and structures, I create scenes that are familiar in their individuality.
I am fascinated with the concept of perception. Many experiences in my life have made me feel quite alone. In those moments, I feel unique in the way that I perceive things. And yet at the same time, I strongly believe that we as human beings share many experiences, many thoughts, feelings, and reactions.
With my work, I approach the dissonance between perceived unique individual solitude in a crowded environment, and the commonness and sameness of such feelings.
Using detailed line work and heavy colors, I illustrate moments of 'unique' isolation that we all share. The feeling of walking alone while viewing social excitement through nighttime windows, or working while others play to their contentment.
With controlled ink lines, I capture shadows and lights. Familiar angles, familiar feelings brought on by time of day or night, placement and presence in one’s environment. I manipulate the openness and tightness of visual spaces and interiors to reflect the claustrophobia of society's open space and the endless emptiness of being crowded and crushed.
With strong colors, I attract the viewer’s eyes to specific spaces within the composition, reminding them of their own perceptions of environment, and that I, like them, find myself in there too. By capturing these scenes, I present the commonality between them and me. Though they do not know me, we are united by the sameness of the humanity we all share.
The art exhibitions that affect me most strongly are the ones that remind me of myself. Of what I love, of what I find beautiful, and of what I fear. We are always looking for a certain degree of reflections of ourselves. In images, in friends, in pets, in communities, in romantic partners. With my artwork, I attempt to bridge the gaps of solitude by harnessing that innate search for our reflections. With familiar scenes, bright colors, and fine details of everyday objects and structures, I create scenes that are familiar in their individuality.
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